Sunday, December 16, 2012
Tuesday, October 16, 2012
Highlighted stories below reflect on our busy year with more to come in the Winter. Visit Gallery House Exhibitions for upcoming and past shows! Please visit our site www.galleryhouse.ca for the full story. Enjoy!
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Friday, July 20, 2012
Friday, July 13, 2012
Morphic Resonance and the Collective Unconscious
Interesting article on group Conciousness and Morphic fields
http://www.sheldrake.org/Articles&Papers/papers/morphic/morphic2_paper.html
http://www.sheldrake.org/homepage.html
http://www.sheldrake.org/Articles&Papers/papers/morphic/morphic2_paper.html
http://www.sheldrake.org/homepage.html
Wednesday, July 11, 2012
Thursday, June 28, 2012
Gallery House Featured in Globe & Mail
Gallery House, the paper is finally down! Recently featured by Dave LeBlanc,to read the full story at please visit Globe and Mail.com
Sunday, June 24, 2012
Saturday, June 23, 2012
GELERT - Mary Ann Barkhouse
A short Film on Mary Ann Barkhouse and her sculpture of Gelert in the Haliburton Sculpture Forest. The film is made by my sister Midori Nagai of the Highland Media Arts. Mary Ann is an amazing artist living in Haliburton Ontario and Gelert is a new addition to the Haliburton Sculpture forest.
Saturday, June 9, 2012
Saturday, June 2, 2012
Tuesday, May 29, 2012
Saturday, May 26, 2012
Ray Caesar “Art on the Edge” at Vered Gallery New York
Ray Caesar of Gallery House is participating at Vered Gallery, East Hamptons New York “Art of the Edge” curated by Damien Roman. Now in its third consecutive year, Art on the Edge comes to the newly launched Vered Contemporary. Art on the Edge, the only exhibition of its kind in the Hamptons, is an annual survey of New Contemporary Art featuring the most provocative new painters, sculptors and photographers working in their respective mediums today. Each year, the eclectic nature and quality of work featured in Vered’s Art on the Edge exhibits have made it the “must-see” summer event for savvy art collectors in the Hamptons. The exhibition opens with a New Collectors’ Reception Saturday, May 26th 9-11pm and continues through Monday, June 25th.
By Belinda Chun
Published: May 26, 2012
Friday, May 18, 2012
Saturday, April 21, 2012
Solo Exhibit “Sin And Sentiment”
Ray Caesar of Gallery House opens a solo exhibition at the Richard Goodall Gallery, Manchester England for a private preview on April 28th, 2012. Public opening begins on April 29th, 2012 at the location. For more information and sneak preview of Ray’s upcoming solo exhibition please contact info@galleryhouse.ca and request “Sneak Peek at Sin & Sentiment”.
By Belinda Chun
Published: April 21, 2012
Ray Caesar, Laminate Magazine
Ray Caesar of Gallery House will be featured on the front cover of Laminate Magazine along with a detailed article inset. The Most Wanted Creative Issue Vol. 4. “Usual Suspects” for a first 25 individuals can purchase their signed copy by Ray Caesar by clicking here.
Note that Laminate Magazine outlines that publication will ship end of June.
PRINTED Publication:
Size:A3 – 42 x 29.7cm
RAY CAESAR//MARK RYDEN//TARA MCPHERSON//BRIAN M. VIVEROS//VICTOR CASTILLO//BRANDT PETERS//SCOTT MOSGROVE//RUSS MILLS//RICHEY BECKETT//PAUL BARNES LESLIE DITTO//KENT WILLIAMS//NATHAN OTA//BRIAN DESPAIN//PHILIPPE STARCK//LUKE CHUEH//KID ZOOM//RHYS COOPER//MARI INUKAI//ALLISON SOMMERS//K-GUY BRANDI MILNE//MARCO MAZZONI//SKINNER//DIEGO FERNANDEZ//LADY AIKO FEMKE HIEMSTRA//ARKIV VILMANSA//MEGGS//MOJOKO
By Belinda Chun
Published: April 21, 2012
Artist Ray Caesar Opening at Paris Cabaret
Ray Caesar of Gallery House group exhibit opens in Paris, France on May 15 – June 6, 2012 this exhibit includes 30 artists with three live performances on May 19, May 26, and June 2 at 16 Passage Choiseul Paris 2m2. For more detailed information on performers visit www.nyctalopes.net
By Belinda Chun
Published: April 21, 2012
Alex Box International Make up Artist of such Publications of Vogue…cites Ray Caesar
Gallery House artist Ray Caesar image is featured in Fashion Monitor Magazine.
… Alex Box cites artist Ray Caesar as one of her biggest influences, he produces paintings that look like 3D models and attempts to create a fantasy world, “I’ve always looked more to artists and illustrators as they have far less limitations than make-up artists”.
In fact, her career in fashion came about when she was working as an installation artist, which included body art. She would make clothes out of latex and her models were dancers and performers so there was a great focus on the way the materials moved with their bodies. She also worked on a performance with artist Malcolm Pate, which used sound, vision and scent on stage and admits a fondness for the full sensory experience is key in her artistic vision, “I think of myself as an artist that uses make-up, rather than a make-up artist”.
So is Alex ever tempted to go back to her artistic roots? The answer is yes and no, she has been asked by a footwear company to design shoes, but was unable to reveal any more at this stage, and has also been in talks with designer Meadham Kirchoff. However, she admits there are still more design houses she’d love to work with at during fashion week, “I would love to do Lanvin and McQueen, as well as Givenchy. I love the old fashion houses and think I’d be able to bring something new to them”…
see full article at Fashion Monitor
By Belinda Chun
Published: April 19, 2012
Vernissage de l’exposition collective ‘Futur Antérieur’
Ray Caesar in a group exhibition that is traveling internationally begins in Paris France at the agnes b. gallery. This exhibition is curated by Jean Francois Sanz.Structured around the themes of retrofuturism, steampunk and archeo-modernism – a concept developed by the academic, critic and curator Arnauld Pierre – the exhibition FUTURE ANTERIOR aims to create a dialogue between past cultural output that imagined the future – what is essentially our postmodern era – with work from contemporary artists, which in both form and substance refer to the past by revisiting and reviving certain visions of the future or of modernity, generated mainly between the last third of the 19th century and the first half of the 20th century.
By Belinda Chun
Published: March 20, 2012
Thursday, April 5, 2012
Kochxbos Gallery – Amsterdam
Ray Caesar presents at Kochxbos new space in Amsterdam, Netherlands with a grand opening spilling out into the streets during the month of March 2012. After several months of construction…a BIG Congratulations Hans Bos & Esther Koch who moved the gallery since 2005 a short block away to the new and larger space (75 square meters)!/>
By Belinda Chun
Published: March 10, 2012
Thursday, March 22, 2012
I was born in London, England on October 26 1958, the youngest of four and much to my parent’s surprise, I was born a dog. This unfortunate turn of events was soon accepted within my family and was never again mentioned in the presence of polite company. I was a rambunctious youth as was natural to my breed but showed a fine interest in the arts as I drew pictures incessantly on anything including the walls and floors of every room of our tiny house. After some trouble with intolerant neighbors, my family was convinced to move to Canada and it was not long before the burgeoning town of Toronto became our new home.
Friday, March 16, 2012
Monday, March 12, 2012
Scope New York 2012
Ray Caesar, of Gallery House, work is displayed with Corey Helford Gallery in Scope New York.
The 30,000 square foot pavilion on 57th Street and 12th Ave features over 50 international galleries and museum-quality programming that will highlight groundbreaking, emerging work in contemporary art and beyond. SCOPE New York’s First View will take place on March 7, 2012 with proceeds benefitting New York-based non-profit, chashama. Visitor traffic has been over 425,000 on average at this fair! Scope continues to March 11, 2012.
Here are a few of the other great works on display:
By Belinda Chun
Published: March 7, 2012
Last Junkies On Earth: Grande re-opening: KochxBos gallery opened with su...
Last Junkies On Earth: Grande re-opening: KochxBos gallery opened with su...: the new KochxBos gallery The Eerste Anjeliersdwarsstraat 36 in Amsterdam was packed with people when Hans Bos and Esther Koch reopened ...
Monday, March 5, 2012
Monday, February 20, 2012
Wednesday, February 1, 2012
The Strangest of Neverlands: Ray Caesar’s Luminous, Defiant Lost Girls
Nancy Hightower
I was first introduced to Ray Caesar’s work when writing the catalogue essay for Carrie Ann Baade’s Cute and Creepy show, which was exhibited at Florida State University’s Fine Art Museum this past October. I haven’t been able to shake the images of his haunting, and haunted, beauties ever since. Trapped forever between woman and girl, human and creature, these lovelies radiate a strength and light amid the perils that threaten their very existence. Take Monday’s Child, whose innocence and purity radiate and fill the sphere in which she is encased. While she is “fair in face” just like the nursery rhyme promises, her hands — ruby red and branch like — surely belong to some other species. Is she kept within the sphere for our safety or to be protected? She is certainly child-like in her little baby doll dress, but look more closely, and we’ll see that she’s also sporting thigh-high stockings. Is she girl, woman, plant, or alien? Might this be how many of our little girls feel, growing up in a strange consumerist world where they are taught often contradictory rules about what makes them special? The clock that sits on the top of the sphere might indicate that at a certain time the top half will open or that the legs will start moving – suggesting that the sphere is alive on its own accord, a kind of mechanical nanny guarding the precious creature inside.Asterion plays off of the famous Minotaur, but this curious bull is still a little girl in size, despite the sexualization of her body. She glares at us with a force I’ve yet to really encounter in the gaze of Manet’s Olympia. Who is she waiting for in that barely furnished room, with no shade to cover the lamp’s naked bulb? I am frightened for her and by her, not knowing if she is victim or predator.
The same might be said for the little one standing behind the curtains in Fly Trap. Residing somewhere between boy and girl, the young face looks up longingly, mouth open perhaps in song or siren call. I cannot tell if the mouth is bloodstained or if some sick adult got crazy with the lipstick. Her eyes, unlike Asterion’s, have little fight in them, only a sad kind of hunger. But this child’s body, rather than being gaunt, is wondrous in its monstrous form. Spanning three window frames, the delicate yet giant legs are probably the last thing one notices in the picture, yet they frame the entire story, for surely this creature is ready to escape.
And here, I believe, is the power of Caesar’s work — to infuse these children with a sense of unspoken power. He has personally seen the need for such a narrative, having worked for 17 years in the art & photography department of the Hospital For Sick Children in Toronto. There he documented “disturbing cases of child abuse, surgical reconstruction, psychology, and animal research” (Gallery House). I’m not sure how one survives seeing such havoc wreaked upon the bodies of the young, but I admire to no end the mythic power of art to help heal such wounds. Caesar is unrelenting in showing us the physical and psychological injuries that children suffer — his art has that visceral effect. At the same time, he opens a doorway into the unreal, a place where they might be safe. I often think of the gods who turned Daphne into a laurel tree so that Apollo could not assault her. But Caesar does not complete the act, keeping these little ones in frozen transformation, invoking the power of the grotesque as he does so.
One might say that Caesar is transgressive in his very medium, using the 3D modeling software called Maya instead of brush, charcoal, or pen and ink (Gallery House). Perhaps this quality is what also lends an otherworldliness to his work, a light that seems to emanate from his work despite its dark subject matter. Beloved and Ebb Tide fall more into the realm of the Weird, perhaps, rather than truly grotesque. I find myself entranced with the pieces that show us the softer side of Cthulhu. Both girls have a genuine serenity in their expressions, despite their obvious (and certainly inconvenient) relationship to the monstrous. In Beloved, the baby’s tentacles don’t seem threatening, but am I the only one who thinks the girl’s face is a tad too close to them? She shows no fear, but neither is it quite adoration. The light bathing her face casts her into the role of some Victorian Madonna, unsure, perhaps, of just what she has given birth to, but obviously intent on protecting it.
Ebb Tide, despite its peaceful scene, still has elements of subtle horror: the giant belt that imprisons her waist, heavy petticoats, and calico leggings with steel tips for her tentacles. She looks off into the distance, perhaps dreaming of the wild life she once lived in the sea. It doesn’t appear that she abhors this beached domesticity; in fact, the scene is one of rather stunning beauty. Are these our choices for femininity — either dark creature of the abyss or paralyzed loveliness?
I’m not sure you can look at Ray Caesar’s work and remain undisturbed. I’m not sure he’d want you to. There can be a paradigm shift when art holds our attention for longer than a second, when we are so seduced by its contradictions that our minds truly begin to work at untangling them. Because, you see, when we engage with grotesque art, we’re not entering into the realm of logical analysis but into a liminal space where you meet doppelgangers, monsters, and children-creatures — all crying out for us to be more redemptive humans.
see article
Wierd Fiction Review by Nancy Hightower
To see more of Caesar’s work, visit Gallery House or Ray Caesar’s website.
Image Credit: Gallery House/Ray Caesar. Used with permission.
Thursday, January 19, 2012
Sunday, January 15, 2012
Wednesday, January 11, 2012
Ray Caesar – Stephen Webster Exhibition
Gallery House artist, Ray Caesar showcases a selection of works curated by Jan Corey of Corey Helford Gallery and Matthew Stephenson of Stephen Webster on Rodeo Drive, LA at the private party to showcase Webster’s new collection line “Murder She Wrote”. Stephen Webster is one of the leading British jewellery designers. Webster’s keen eye for detail, expert craftsmanship and glam-rock attitude boasts over 200 points of sale worldwide and 7 boutiques internationally in London, Beverly Hills, Moscow, St Petersburg, Kiev, Vienna and Marbella. Webster received numerous rewards and is a favourite with celebrities such as Madonna, Christina Aguilera, Kate Moss, Sir Elton John, Mickey Rourke and Kate Beckinsale.
What a beautiful and magical night!
Caesar created one special work “Sweet Slaughter” for the party and is available to the public.
By Belinda Chun
Published: December 5, 2011
Highly Desirable – Neubacher Schor Contemporary
Ray Caesar and Anita Kunz both of Gallery House presents a selection of works under $2000 USD in a group exhibition at the NSC, Toronto. November 30 – December 23, 2011
Highlighted coverage includes Fashion Magazine and NOW Toronto
By Belinda Chun
Published: November 30, 2011
Ray Caesar of Gallery House is one of the featured artist at the Corey Helford Gallery Booth in Scope Miami opening November 29-December 4, 2011 at Booth F03.
Scope Miami is in it’s eleventh year and presents 80 international galleries of solo, thematic group shows along side museum quality programming, collector tours, screening and special events. Scope Miami is housed in an 80, 000 square foot pavilion across the street from Art Miami in the heart of the Wynwood Arts District running concurrently with Art Basel Miami and just steps from the Rubell family collection, Marguilies Collection at the Warhouse and Goldman Collection.
By Belinda Chun
Published: November 29, 2011
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